2017年全国乙卷阅读理解中文翻译

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发布时间：2018-05-05 11:37:00
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内容提要：【真题翻译】2017年全国I卷乙卷（真题原文+中文翻译）

阅读理解C篇
Some of the world’s most famous musicians recently gathered in Paris and New Orleans to celebrate the first annual International Jazz Day. UNESCO( United Nations Educational, Scientific and Cultural Organization) recently set April 30 as a day to (This is from HowCoolEnglish) raise awareness of jazz music, its significance, and its potential as a unifying (联合) voice across cultures.
Despite the celebrations, though, in the U.S. the jazz audience continues to shrink and grow older, and the music has failed to connect with younger generations.
It’s Jason Moran’s job to help change that. As the Kennedy Center’s artistic adviser for jazz, Moran hopes to widen the audience for jazz, make the music more accessible, and preserve its history and culture.
"Jazz seems like it’s not really a part of the American appetite," Moran tells National Public Radio’s reporter Neal Conan. "What I’m hoping to accomplish is that my generation and younger start to reconsider and understand that jazz is not black and write anymore. It’s actually color, and it’s actually digital."
Moran says one of the problems with jazz today is that the entertainment aspect (This is from HowCoolEnglish) of the music has been lost. "The music can’t be presented today the way it was in 1908 or 1958. It has to continue to move, because the way the world works is not the same," says Moran.
Last year, Moran worked on a project that arranged Fats Waller’s music for a dance party, "just to kind of put it back in the mind that Waller is dance music as much as it is concert music," says Moran. "For me, it’s the recontextualization. In music, where does the emotion (情感) lie? Are we, as humans, gaining any insight (感悟) on how talk about ourselves and how something as (This is from HowCoolEnglish) abstract as a Charlie Parker record gets us into a dialogue about our emotions and our thoughts? Sometimes we lose sight that the music has a wider context," says Moran, "so I want to continue those dialogues. Those are the things I want to foster."
世界上一些最著名的音乐家最近聚集在巴黎和新奥尔良,庆祝首个一年一度的国际爵士乐日.联合国教科文组织最近将4月30日设为世界爵士乐日,为了提高(公众)对爵士乐的认识,了解爵士乐的重要性,以及了解其作为跨文化联合呼声的潜力.
尽管在美国举行了(欢迎关注好酷英语)庆祝活动,但是爵士乐的受众却在不断减少并逐渐老年化,爵士乐没能与年轻一代联系起来.
贾森?莫兰的工作就是要帮助改变这一现状.作为肯尼迪中心爵士乐的艺术顾问,莫兰希望扩大爵士乐的受众(规模),使爵士乐更容易被接受,并保留其历史和文化.
"爵士乐似乎并不受美国人青睐,"莫兰对国家公共电台的记者尼尔?科南说道,"我希望能做到的是,我这一代人和更年轻的人开始重新思考并理解爵士乐不再只是黑白音乐,它实际上是多彩的,是数字化的."
莫兰说,今天爵士乐的一个问题就是失去了音乐的娱乐性."今天的爵士乐不能再像1908年或1958年那样呈现,它必须继续发展,因为世界运转的方式不一样了,"莫兰说.
去年,莫兰做过一个项目,该项目把胖子沃勒的音乐作为舞会音乐."只是为了像依稀记得胖子沃勒的音乐是音乐会乐曲一样,记得它是舞曲,"莫兰说,"对我来说,这是语境重构的过程.音乐中的(欢迎关注好酷英语)情感在哪里?我们,作为人类,是不是在讲述自己以及像查理?帕克的音乐那类抽象的事物时,让我们和自己的感情和思想对话,从而获得了某些感悟呢?有时候我们看不到音乐有更广泛的语境,"莫兰说,"所以我想继续这些对话,这些都是我想要培养的.

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